John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "although Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".

Zorn entered New York City's downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986, he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy (1989) and Naked City (1990) both demonstrated Zorn's ability to merge and blend musical styles in new and challenging formats.

Zorn spent time in Japan in the late 1980s and early '90s but returned to Lower East Side Manhattan to establish the Tzadik record label in 1995. Tzadik enabled Zorn to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists.

Zorn performs on saxophone with Naked City, Painkiller, and Masada, conducts Moonchild, Simulacrum, and several Masada-related ensembles or encourages musicians toward their own interpretations of his work. He has composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Tours of Europe, Asia, and the Middle East have been extensive, usually at festivals with musicians and ensembles that perform his repertoire.

“David Amram is the Renaissance Man of American Music.” (The Boston Globe)

"If you have not yet encountered this extraordinary man of music, you will marvel at his multiple gifts as a composer, conductor and solo instrumentalist." (Bob Sherman, New York Times)

"Orchestra audience on feet for Amram. The audience repeated this tribute twice for Amram and the Philadelphia Orchestra". (The Philadelphia Inquirer)

"A major premiere, 'THIS LAND: Symphonic Variations on a Song by Woody Guthrie' by David Amram is no whimsical notion quickly tossed off, but rather a major, serious work." (The San Francisco Classical Voice)

"Amram dazzled with his versatility ... One could be but awed by his range ... Amram was constantly enlightening." (The London Times)

"David Amram ... a musical catalyst and leader on a par with Leonard Bernstein, Pete Seeger and Dizzy Gillespie." (Minneapolis Star & Tribune)

“David Amram is one of the most versatile and skilled musicians America has ever produced” (Washington Post).

"He is a composer of major stature, a conductor of winning authority and a jazz musician of noble intent and entertaining brilliance." (Newhouse Papers)

"...Conducting his opera "Twelfth Night", Amram shows remarkable skill in ensemble writing, thematic development and musical characterization." (The New York Daily News)

"Amram may be able to play more types of music than any other man. He is a relentless pied-piper of pan cultural persuasiveness, leading listeners into a global circle that brings all peoples together." (Milwaukee Journal)

“A Godsend to those who believe in the power of music to change lives and inspire” – (Wynton Marsalis)

“Amram remains the most indefatigable musician of our time.” (Douglas Brinkley, historian)

“He’s one of the most talented musicians in the universe!” (Pete Seeger, New York Times)

“David Amram is the quintessential American composer.” (Michael Barrett – Conductor, Director of Caramoor and Moab Music Festivals)

David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford.

In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years.

Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.

He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965.

From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall(1964) and Incident at Vichy (1966).

Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time.

His most popular recent symphonic compositions include This Land, Symphonic Variations On A Song By Woody Guthrie (2007), commissioned by the Guthrie Foundation and performed by the Colorado Symphony with Amram conducting and recorded by Newport Classics in 2015; Giants of the Night (2002) commissioned and premiered by flutist Sir James Galway; Kokopeli, A Symphony in Three Movements (1995), premiered by the Nashville Symphony Orchestra with Amram conducting; Three Songs, A Concerto for Piano and Orchestra (2009), Greenwich Village Portraits for Alto Saxophone and String Orchestra (2018) and Partners: A Double Concerto for Violin, Cello and Orchestra (2018)

He has collaborated as a composer with Elia Kazan, Arthur Miller, Eugene Ormandy, Sir James Galway, Langston Hughes and Jacques D´Amboise and as a musician with Thelonious Monk, Johnny Depp, Hunter S. Thompson, Dizzy Gillespie, Odetta, Bob Dylan, Willie Nelson, Betty Carter, Floyd Red Crow Westerman, Arlo Guthrie, Pete Seeger, Paquito D´Rivera, Tito Puente and Jerry Jeff Walker.

His archive of professional and personal papers were acquired by the Lincoln Center of the Performing Arts Branch of the New York Public Library. And, he was the subject of the prize-winning full-length feature documentary David Amram: The First Eighty Years, which is available on Vimeo On Demand.

Amram is the author of three memoirs, Upbeat: Nine Lives of a Musical Cat (2009), Offbeat: Collaborating With Kerouac (2005) and the highly acclaimed Vibrations (1968, 2007), all published by Routledge Taylor and Francis. His fourth book Amram@90: Notes from a Promising Young Composer will be published in November of 2022, celebrating his 92nd birthday..

Highlights of the past decade include the following awards.

In 2011, Amram was inducted into the Oklahoma Jazz Hall of Fame as the recipient of the The Jay McShann Lifetime Achievement Award.

In 2013, he was presented with Clearwater´s Pete and Toshi Seeger Annual Power of Song Award.

In 2014 he was selected with Rosie Perez as a recipient of the Harold Clurman Spirit Award "for courageous contribution to the culture of New York City and beyond."

In 2015, Brooklyn College presented David Amram with his seventh Honorary Doctor of Fine Arts and chose him as their commencement speaker, in recognition of his enormous achievements and continuing contributions to the cultural life of New York City for 40 years of bringing the worlds of classical music, jazz, Latin, Native American and global Roots music together and available for all ages to enjoy. And the Theater For The New City honored him with their annual Love & Courage Award for his years of creating music for the theater, film and Spoken Word.

In 2016, he received several awards for his lifetime of work as a classical composer, improvising multi-instrumentalist and pioneer of World Music, while continuing to tour internationally while completing and premiering his Three Lost Loves for alto saxophone, violin and piano. And The New York Chamber Music Festival chose him as their composer in residence for their 2016-2017 season.

In 2017, he composed Partners: A Double Concerto for Violin, Cello and Orchestra, was made a Lifetime Member of the Actors Studio, received the first annual Lifetime Achievement Award from Folk Music International and given a special award by Farm Aid for 30 years of annual musical collaborations with Willie Nelson and his band to help support America´s family farmers through music.

In 2018, he composed the score for Oscar-winning director Barbara Kopple´s new documentary feature film, New Homeland about Iraqi and Syrian refugees in Canada. In December of 2018, he attended the World Premiere of his latest symphonic work Partners: A Double Concerto for Violin and Orchestra in Ann Arbor Michigan. The National Orchestra of China presented the Asian premiere of his flute concerto Giants of the Night, composed for flutist Sir James Galway.

In 2019, he conducted his Elegy for Violin and Orchestra at Carnegie Hall, the New York Philharmonic´s brass quintet presented the NY Premiere of his Fanfare and Processional for Brass Quintet, and his latest chamber music composition Bulgarian Wedding for Violin and Horn was premiered and was presented in Europe on tour with three different performances in New York. He completed the string orchestra version of his Greenwich Village Portraits for saxophone and orchestra and began composing Global Suite for Winds, Brass and Percussion for the Harvard Wind Orchestra, two new chamber works, as well as starting to write his fourth book Amram@90:Notes from a Promising Young Composer.

In the 2020-21 season, his 90th birthday will be celebrated with concerts and premieres of his works in NYC , Boston, Chicago, San Francisco, Los Angeles, and cities across the country and overseas.

In addition to writing new music, he continues to perform around the world as a guest conductor, soloist, multi-instrumentalist, band leader at jazz, folk and classical festivals and narrates them in five languages.